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The Idiot (Barnes and Noble Classics)
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The Idiot (Barnes and Noble Classics)
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by Fyodor Dostoevsky, Joseph Frank, and Constance Garnett
Sales Rank : 552723
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Hardcover: 608 pages
Publisher: Barnes & Noble Classics; 1st edition January 6, 2005
Language: English
ISBN-10: 1593083475
ISBN-13: 978-5170211579
Product Dimensions:
8.4 x 6.2 x 2 inches
Shipping Weight: 1.7 pounds
Product Description
The Idiot, by Fyodor Dostoevsky, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Just two years after completing Crime and Punishment, which explored the mind of a murderer, Dostoevsky produced another masterpiece, The Idiot. This time the author portrays a truly beautiful soul—a character he found difficult to bring to life because, as he wrote, “beauty is the ideal, and neither my country, nor civilized Europe, know what that ideal of beauty is.” The result was one of Dostoevsky’s greatest characters—Prince Myshkin, a saintly, Christ-like, yet deeply human figure.
The story begins when Myshkin arrives on Russian soil after a stay in a Swiss sanatorium. Scorned by St. Petersburg society as an idiot for his generosity and innocence, the prince finds himself at the center of a struggle between a rich, kept woman and a beautiful, virtuous girl, who both hope to win his affection. Unfortunately, Myshkin’s very goodness seems to bring disaster to everyone he meets. The shocking denouement tragically reveals how, in a world obsessed with money, power, and sexual conquest, a sanatorium is the only place for a saint. Joseph Frank is Professor Emeritus of Comparative Literature at Princeton University and Professor Emeritus of Comparative Literature and Slavic Languages and Literature at Stanford University. He is the author of a five-volume study of Dostoevsky’s life and work. The first four volumes received the National Book Critics Circle Award for Biography, two Christian Gauss Awards, two James Russell Lowell Awards of the Modern Language Association, a Los Angeles Times Book Prize, and other honors. Frank is also the author of Through the Russian Prism: Essays on Literature and Culture, The Widening Gyre, and The Idea of Spatial Form. He also wrote the introduction to the Barnes & Noble Classics edition of Dostoevsky’s The House of the Dead and Poor Folk.
Excerpt. © Reprinted by permission. All rights reserved.
“Dostoevsky had various and distressing personal defects,” wrote Arnold Bennet, “but his humanity and his wisdom, doubtless derived from the man Jesus who delivered the Sermon on the Mount, are unique.” In The Idiot, Dostoevsky pits his delirious insights into the human heart against conventional religion and the machinery of Russian society.
Prince Myshkin dramatizes Dostoevsky’s image of “a perfectly beautiful man,” a being who comes as close as humanly possible to the Christian ideal; but for Dostoevsky there was only “one positively beautiful figure in the world—Christ,” and the appearance of Christ had been “an infinite miracle.” There could only be one God-man; and while He remained an eternal aspiration for humanity, such aspiration could never obviously receive its complete fulfillment.
—from the Introduction by Joseph Frank
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