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Legend of Sleepy Hollow and Other Stories (Penguin Classics)
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Legend of Sleepy Hollow and Other Stories (Penguin Classics)
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by Washington Irving and William L. Hedges
Sales Rank : 324133
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Paperback: 368 pages
Publisher: Penguin Classics October 1, 1999
Language: English
ISBN-10: 014043769X
ISBN-13: 978-0140437690
Product Dimensions:
7.5 x 5 x 0.7 inches
Shipping Weight: 8 ounces
From Publishers Weekly
The San Souci brothers (The Legend of Scarface have retold the story of Ichabod Crane's last days alive, admiring the lovely Katrina and attending, at her father's home, a party where he hears of the Headless Horseman. Like A Christmas Carol, this story has been routinely reworked in strange and terrible ways. Here the artist has provided full-color paintings that show an awkward, frightfully thin Ichabod and the sweetly petite Katrina, set in 18th century surroundings. The pursuit at the end is shown in sweeping, eerie scenes. For those who find Washington Irving's original version hard going, this one is a fine alternative, especially for reading aloud.
Copyright 1986 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
Grade 3-6?Unlike the more concise adaptations by Robert Van Nutt (Rabbit Ears, 1991) and Robert San Souci (Doubleday, 1986), this version of the classic tale, retold by Grandma Moses's great-grandson, remains true to the original in its lengthy and flowery narration. An unnamed storyteller enthusiastically relays the legend of the Headless Horseman and his effect on the schoolmaster, Ichabod Crane, in "a mysterious, dreamy little settlement called Sleepy Hollow." While there are occasional awkward passages, the text is lively and compelling, with a 19th-century flavor. The primitive paintings enhance the Hudson Valley setting; unfortunately, their quality is uneven. Moses is most successful with the double-page landscapes and village scenes (similar to his great-grandmother's style), which will intrigue readers with their detailed activity. A few of the smaller vignettes capture humorous situations and the personalities of individual characters, but many, especially the night scenes, are indistinct and muddy. Moses includes black characters in the illustrations, though he has removed Irving's stereotyped descriptive passages. The lively text begs to be read aloud, but the detailed paintings lend themselves to one-on-one viewing. Try San Souci's or Van Nutt's version if you are sharing the illustrations with a group.?Kristin Lott, East Brunswick Public Library, NJ
Copyright 1995 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
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